![]() ![]() You can only rename a track by option-clicking on it, for example, with no menu equivalent anywhere I could find. Veteran Digital Performer users will have no problem with the mixing interface and even love it, but if you're new to the platform, you'll curse a few of the interface quirks. For MIDI tracks, there are a number of live plug-ins you can enable, including non-destructive quantization. MIDI editing remains as robust as ever, with plenty of detailed adjustments and available tools. Unlike in Logic Pro, you can drag channels around in the Mixing Board view, which makes it easy to keep your project organized. Some of the new effects include the wonderfully-named Springamabob, which is a vintage spring tank reverb, and SubKick, a useful kick drum enhancer that adds sub-bass frequencies and overdrive in a way that would be tough to get out of a regular parametric EQ.Ī new Plug-in Chooser makes organizing your plug-ins a snap, and includes preset chain support DP8 also supports ReWire. There are 17 new effects, for a total of 84 bundled plug-ins. The mixing console gets a new coat of paint, but mostly works the same way as before. We ended up using Digital Performer for some serious manual pitch correction work on several takes of a lead vocal, and the results were completely transparent. On the other hand, pitch correction for vocal tracks is handled extremely well-to the point where you may want to use Digital Performer just for its native capabilities here, which approach Melodyne-levels of quality and ease of use. You'll need to slice up and manipulate individual audio pieces in Digital Performer, which takes a lot longer and doesn't sound as good. That said, if you work with pure audio a lot, and are coming from another DAW, you may miss a few common tools with Digital Performer-the big one being an equivalent of Pro Tools' Elastic Audio. ![]()
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